Here are two more mixed media pieces that are the result of working into the landscape prints. The underlying image is the same in all of them. The structure is also the same. I am still playing with the idea that I culled from a photograph by Vuillard. In the photograph we see Madame Vuillard, drying her hands on an apron, standing in a bare room, possibly a kitchen or passage to such a domestic room. She is framed by a doorway and this is flanked on one side by a wall covered with floral wallpaper. The rectangle of wallpaper "reads" as a totally abstract and very flat surface but, simultaneous to this, Vuillard's mother is standing in a very believable interior space. The juxtaposition is intriguing.
I want to see what happens when I juxtapose a landscape with flanking strips of abstract painting that relate to the landscape insofar as they are derived from close-up observation of the land itself.
I have decided to use a glue gun to stick the collage into place when all is ready and sufficiently dry. This is because I think that the crumpled paper and the shadows that are evident when the pieces are pinned into place are lost when I glue more thoroughly. I don't know why I have not thought of this before because I have often noted how much less interesting the image seems when it has been carefully glued.
